[-empyre-] translations
- To: empyre@lists.cofa.unsw.edu.au
- Subject: [-empyre-] translations
- From: ryan griffis <grifray@yahoo.com>
- Date: Tue, 20 Sep 2005 00:12:47 -0500
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- Reply-to: soft_skinned_space <empyre@lists.cofa.unsw.edu.au>
Thanks for calling my use of "we" out Diana -- i certainly didn't catch
it. (original quote from me below)
"the audience is one predicated on a certain distance - a mediated
distance - from the site of supposed contact. we can fall for the
cybracero hoax because we're already so disconnected from the realities
of food production (and by direct connection, the physical sites of
production). but it reveals that distance (between audience and
site/prodcution) once it's revealed as a hoax - which depends on the
practice of a media bound by principles of fact checking and 'truth.'"
but i don't mean to imply that it's a "gimmick" in the pejorative, or
that it's about being "taken in" per se. but i do think that the
audience that is mostly targeted by Cybracero is a demographic
distanced from industrial food production - which is neither wholly
determined by nationality, ethnicity or class (though there are certain
unarguable correlations, especially regarding the Cybracero work). just
as the Yes Men's recycled hamburger hoax was not directed at their
supposed "clients" - the recipients of US food aid - it was directed at
business school college students.
of course, i'm following the path of least resistance and not
critically engaging these practices from other subject positions. which
is problematic, indeed. but i don't think it's excluding the
possibility of other engagements even if it is short sighted and narrow
as a reading.
and i find Danny's statement also compelling when considering inSite
and discussions of class:
"So it is not supposing that the typically bourgeois new media curator
can necessarily have a conversation with the typically working-class
modified car enthusiast, but that by bringing the very different
consciousnesses together the outline of the gaps between them can be
traced, and the aesthetic question in this kind of "gap" is also,
somehow, what contemporary art is all about."
but i also think the collapsing of "class" across other concerns may be
a reductive flattening... not because class isn't a useful and
necessary construct in understanding how the economy structures
communities, but that those communities and their relationship to
economics may shift in ways not theorized. the tracing of the outlines
(figure/ground) is a nice visual...
best,
ryan
On Sep 19, 2005, at 9:00 PM, empyre-request@lists.cofa.unsw.edu.au
wrote:
To jump over to a comment that I think Ryan posted about the Cybracero
work - it was something along the lines of "we can all be taken in by
this
gimmick". This is something I'd take issue with, because I'm not at all
sure about the assumption behind that we. It sounded a bit like all
work
on the net would be read from a white perspective - (please forgive me
if
I'm reading this incorrectly) - in spite of the dominant demographics,
this excludes the possibility that that work could or would be
accessed by
an audience that would have an entirely different reading of it.
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